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The  Hackley  Art  Gallery 

Catalogue  of  the 
Permanent  Collection 


Muskegon,  Michigan 


1920 


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Charles  H.  Hackley 


The  Hackley  Art  Gallery 


CATALOGUE  OF  THE 
PERMANENT  COLLECTION 


MUSKEGON,  MICHIGAN 


19  2  0 


THE  HACKLEY  ART  GALLERY 


BOARD  OF  TRUSTEES 
19  20 

John  VanderLaan,  M.  D.  -  President 
Paul  S.  Moon  -  -  -  Secretary 

Charles  W.  Marsh  -  Treasurer 
William  H.  Wilson  Edward  B.  Dake 
Louis  C.  Walker 


Lulu  Frances  Miller  -  Director 
Laura  Hall  -  -  -  Secretary 


STANDING  COMMITTEES 

EXECUTl  VE 

William  H.  Wilson  Paul  S.  Moon 
Louis  C.  Walker 

BUILDING  AND  GROUNDS 
Edward  B.  Dake  Paul  S.  Moon 

William  H.  Wilson 

A  UDITING 

Charles  W.  Marsh  Edward  B.  Dake 
William  H.  Wilson 


elevator  NORTH  GALLERY 


W  E5T 
GALLERY 


CENTRAL 
GALLERY  * 


—  NORTHEAST 
I  GALLERY 


EA5  T 
GALLERY 


Floor  Plan  of  the  Gallery 


W 


THE  HACKLEY  ART  GALLERY 


Few  cities  of  its  size  have  had  such  benefactors  as 
Muskegon  had  in  Charles  H.  Hackley,  and  in  no  other  city 
of  its  size  in  the  United  States  have  these  benefactions  cov¬ 
ered  so  wide  a  field.  Library,  art  gallery,  parks,  hospital, 
manual  training  school — all  these  we  owe  to  him — with 
other  gifts  which  make  the  list  a  long  one. 

It  is  known  to  only  a  few  that  an  art  gallery  for  Mus¬ 
kegon  was  one  of  the  first  gifts  planned  by  Mr.  Hackley. 
He  was  dissuaded  from  this,  it  being  pointed  out  to  him  that 
the  city  was  not  yet  ready.  He  recognized  the  wisdom  of 
the  advice  and  the  other  institutions  paved  the  way. 

His  gift  of  a  sum  of  money  to  purchase  pictures  for  the 
Library  showed  that  his  original  idea  was  not  forgotten. 
Unfortunately  Death  stayed  the  generous  hand  and  the 
present  gallery  is  thus  an  outgrowth  of  this  gift  to  the 
Library.  What  it  might  have  been  had  Mr.  Hackley  lived 
to  carry  out  his  own  plans  we  can  only  conjecture. 

The  Library  had  little  wall  space  and  very  inadequate 
lighting  for  pictures.  Also  the  room  was  or  would  be  needed 
for  purely  library  purposes,  and  the  Board  of  Education, 
trustees  of  the  fund,  decided  to  erect  a  separate  building. 
The  property  adjoining  the  Library  on  the  east  was  purchas¬ 
ed  and  the  present  Gallery  built  and  opened  to  the  public 
in  June,  1912,  with  a  fine  inaugural  exhibition. 

The  building  is  a  small  one,  having  beside  the  sculpture 
court  five  galleries  and  an  auditorium  with  a  seating  capac¬ 
ity  of  four  hundred,  but  its  carefully  chosen  permanent  col¬ 
lection  has  given  it  a  reputation  out  of  proportion  to  its  size. 
“A  jewel  box”  one  admiring  visitor  from  a  neighboring 
museum  called  it,  referring  to  this. 

Muskegon  may  rightly  rejoice  in  its  possession  and  hold 
in  grateful  remembrance  the  name  of  the  man  who  was 
broad  visioned  and  generous  enough  to  make  it  possible. 

L.  F.  M. 


The  Gallery  Auditorium 


SCULPTURE 


EGYPTIAN  AND  ASSYRIAN 

1.  PHARAOH.  Egyptian,  Fourth  dynasty.  Original  in 

the  Louvre,  Paris. 

2.  ROYAL  LION  HUNT. 

Sculptured  limestone  slab  from  the  palace  of  Ashur- 
bani-pal,  king  of  Assyria  668-626  B.  C.,  at  Kouyunjik 
(Ninevah).  From  the  original  in  the  British  Museum. 

GREEK  V  CENTURY  B.  C. 

THE  PARTHENON  OR  TEMPLE  OF  ATHENA. 

The  Parthenon,  or  temple  of  the  goddess  Athena,  on 
the  Acropolis  of  Athens,  was  begun  probably  about 
447  B.  C.,  and  finished  some  time  after  438  B.  C.  The 
temple  was  of  the  Doric  order  built  of  Pentelic  mar¬ 
ble  under  the  architects  Ictinus  and  Callicrates,  while 
the  rich  sculptures  of  the  interior  were  designed  and 
executed  under  the  superintendence  of  Pheidias. 

The  cella  or  inclosed  portion  of  the  temple  sheltered 
the  colossal  statue  of  Athena  the  celebrated  work  of 
Pheidias.  The  outer  walls  of  the  cella  were  decorated 
by  a  frieze  in  low  relief  having  for  its  subject  the 
Panathenaic  Procession,  one  of  the  chief  features  of 
a  festival  held  every  four  years  in  honor  of  the  god¬ 
dess  Athena.  In  this  procession  the  peplos  or  sacred 
robe  of  the  goddess  which  had  been  woven  by  the 
maidens  of  Athens  was  brought  to  adorn  her  image 
on  the  Acropolis,  accompanied  by  offerings  and  vic¬ 
tims  for  sacrifice. 

In  the  fifth  or  sixth  century  A. D., the  Parthenonwas 
used  as  a  Christian  Church.  In  1687  during  a  siege 
by  the  Venetians  the  building  was  partially  destroyed 
by  a  bomb  falling  into  the  interior.  In  1801-1803  a 
large  part  of  the  surviving  sculptures  were  removed 
to  England  by  Thomas  Bruce,  seventh  Earl  of  Elgin, 
British  Ambassador  at  the  Porte.  These  were  soon 
after  purchased  by  the  British  Government  and  set 
up  in  the  British  Museum  where  they  are  known  as 
the  Elgin  Marbles. 

3.  SLAB  FROM  THE  EASTERN  FRIEZE. 

Poseidon,  Dionysus  and  Demeter.  From  the  original 
marble  in  the  British  Museum. 


No.  3  Mr.  Munroe  Ferguson 


By  Sir  William  Beechey 


4.  SLAB  FROM  THE  NORTHERN  FRIEZE. 

Procession  of  horsemen.  From  the  original  marble 
in  the  British  Museum. 

5.  ZEUS  AND  TWO  GODDESSES  (Hera  and  Hebe?) 

A  Graeco-Roman  Relief  from  the  original  marble  in 
the  Louvre,  Paris. 

6.  NIKe  (Victory)  binding  her  sandal. 

From  the  parapet  of  the  Temple  of  Nike  Apteros  on 
the  Acropolis,  Athens. 

From  the  original  marble  in  the  Acropolis  Museum. 

GREEK  IV  CENTURY  B.  C. 

7.  HERMES  WITH  THE  INFANT  DIONYSUS.  (Head) 

by  Praxiteles. 

The  full  length  statue  of  which  this  is  a  part  was 
found  in  1877  lying  near  its  original  pedestal  in  the 
ruins  of  the  Temple  of  Hera,  at  Olympia. 

Original  marble  in  the  Museum,  Olympia. 

8.  PSYCHE  OF  CAPUA.  Fragment  of  a  statue  probably 

of  the  fourth  century  B.  C. 

Found  at  Capua,  and  now  in  the  Museum  of  Naples. 

9.  BUST  OF  A  WOMAN  (usually  called  Sappho). 

Found  at  Herculaneum.  Original  bronze  now  in  the 
Naples  Museum. 

10.  VENUS  OF  MELOS.  Probably  of  the  fourth  century 

B.  C.,  though  placed  by  some  authorities  at  a  later 
date.  Found  in  1820  on  the  Island  of  Melos.  Original 
marble  in  the  Louvre,  Paris. 

ROMAN 

11.  AUGUSTUS  CAESAR.  (Head.) 

From  the  full  length  statue  of  Augustus  as  com¬ 
mander  of  the  Roman  armies.  It  is  supposed  to  date 
from  about  B.  C.  20  when  the  emperor  who  reigned 
from  B.  C.  63  to  A.  D.  14  was  forty-three  years  old. 

The  statue  of  heroic  size  in  marble  was  found  on  the 
site  of  the  Villa  Livia  near  Rome  and  is  now  in  the 
Vatican. 

12.  BACCHIC  DANCE.  Original  in  the  Naples  Museum. 


9 


No.  4 


Ecstasy 


By  Ralph  Blakelock 


MOORISH 


13.  FRAGMENT  RELIEF,  from  an  arch  of  the  Palace  of 

the  Alhambra  at  Granada,  Spain,  dating  from  about 
1300. 

ITALIAN— RENAISSANCE 

DONATELLO.  (Donato  Di  Niccolo  Di  Betto  Bardi) 
1386-1466. 

14.  Head  of  a  Lion.  Original  in  the  church  of  San  Lor¬ 
enzo,  Florence. 

LUCCA  DELLA  ROBBIA.  1400-1482. 

15.  Boys  with  trumpets.  From  the  Singing  Gallery  for¬ 
merly  in  the  Cathedral,  now  in  the  Museo  del  Duomo, 
Florence.  Original  of  marble. 

ANDREA  DELLA  ROBBIA.  1435-1525. 

16.  Annunciation.  Fragment  of  a  lunette  relief  over  the 
door  of  the  Church  of  Santa  Maria  degli’  Innocenti, 
in  the  court  of  the  Hospital  of  the  Innocents,  Flor¬ 
ence.  Original  of  terracotta. 

17.  Bambino.  From  the  facade  of  the  Hospital  of  the 
Innocents,  Florence.  Original  of  terracotta. 

VERROCCHIO.  (Andrea  Di  Michele  Di  Francesco  De’ 
Cione)  1436  (?) -1488. 

18.  Madonna  and  Child.  Relief  in  the  Bargello,  Florence. 
Original  of  marble. 

MICHELANGELO  BUONARROTI.  1475-1564. 

19.  David.  From  the  colossal  marble  statue  in  the 
Academy  of  Fine  Arts,  Florence. 

20.  Madonna  and  Child  and  St.  John.  Circular  relief  in 
the  Bargello,  Florence.  Original  of  marble. 

21-22.  Twilight  and  Dawn.  Detail  from  the  Tomb  of  Lor¬ 
enzo  de’  Medici  the  Younger  in  the  Sacristy  of  the 

Church  of  San  Lorenzo,  Florence.  Original  of  marble. 

■>» 

CECELIA  DA  FIESOLE. 

23.  Head  of  a  Man.  Original  in  the  Church  of  San 
Jacopo,  Florence. 


ii 


No.  6  Maidenhood 


By  George  Boughton 


FRENCH 


CHAPU,  HENRI-MICHEL- ANTOINE.  1833-1891. 

24.  Joan  of  Arc.  Original  marble  in  the  Luxembourg, 
Paris. 

MERCIe,  ANTONIN.  1845-. 

25.  David.  From  the  bronze  statue  in  the  Luxembourg, 
Paris. 

AMERICAN 


DAVIDSON,  JO.  1884-. 

26.  La  Terre.  Original  bronze.  Signed,  Jo  Davidson, 
Paris,  1910. 

27.  A.  E.  Nusbaum,  of  Chicago,  portrait  bust.  Plaster. 

PARTRIDGE,  WILLIAM  ORDWAY.  1861-. 

28.  The  Dream.  Plaster,  low  relief. 

29.  Charles  H.  Hackley,  portrait  bust.  Plaster.  From 
the  original  marble  in  the  Hackley  Library.  Signed, 
W.  0.  Partridge,  1901. 

VOLK,  LEONARD  WELLS.  1828-1895. 

30.  Life  mask  of  Abraham  Lincoln  made  at  Springfield, 
Illinois,  shortly  before  Mr.  Lincoln’s  inauguration  as 
President. 

31.  Model  of  left  hand  of  Abraham  Lincoln.  Plaster. 


A  June  Morning  By5g£.  Arnesby  Brown 


PAINTINGS 


BAIRD,  NATHANIEL  H.  J.  British. 

Born  18 —  at  Yedholm  in  Roxburghshire,  Scotland. 

Pupil  of  the  Royal  Scottish  Academy,  Edinburgh  and  of  the  Her- 
komer  School,  Bushey.  Later  studied  with  Bouguereau  and 
Carolus  Duran  in  Paris. 

1.  Dawn. 

Water  color.  22"  x  15". 

BARR,  ROBERT  ALLAN.  British. 

Born  1890  at  Chiswick,  London. 

Pupil  of  John  M.  Swan,  R.  A.  and  of  G.  W.  Lambert. 

2.  Charles  H.  Hackley.  Portrait. 

Oil  on  canvas.  30"  x  36". 

BEECHEY,  SIR  WILLIAM,  R.  A.  British. 

Born  1753  at  Burford,  Oxfordshire,  England.  Died  1839  at  Hemp¬ 
stead,  London.  Pupil  of  the  Royal  Academy  Schools,  London. 

3.  Mr.  Munroe  Ferguson.  Portrait. 

Oil  on  canvas.  25"  x  30". 

BLAKELOCK,  RALPH  ALBERT,  N.  A.  American. 

Born  1847  at  New  York  City.  Died  1919  in  a  Mountain  Camp 
near  Elizabethtown,  New  York.  Self  taught. 

4.  Ecstasy  (Early  Autumn). 

Oil  on  canvas.  38"  x  30". 

BOCK,  THeOPHILE  DE.  Dutch. 

Born  1851  at  the  Hague.  Died  1904  at  Haarlem. 

Pupil  of  J.  W.  van  Borselen  and  of  J.  H.  Weissenbruch. 

5.  Landscape. 

Oil  on  canvas.  2114"  x  1114". 

BOUGHTON,  GEORGE  H.,  N.  A.,  R.  A.  British-American. 

Born  1834  in  England.  Died  1905  at  London. 

Educated  in  New  York. 

6.  Maidenhood. 

Oil  on  canvas.  17"  x  19 14". 

BROWN,  J.  A.  ARNESBY,  R.  A.  British. 

Born  1866  at  Nottingham,  England. 

Pupil  of  the  Nottingham  School  of  Art  and  of  the  Herkomer 
School,  Bushey,  under  Andrew  M’Callum. 

7.  A  June  Morning. 

Oil  on  canvas.  30"  x  25". 


l'i 


No.  9 


Portrait  of  a  Lady  School  of  Clouet 


CHURCH,  FREDERICK  S.,  N.  A.  American. 

Born  1842  at  Grand  Rapids,  Michigan. 

Studied  with  Walter  Shirlaw  in  Chicago,  and  L.  E.  Wilmarth  in 
New  York. 

8.  The  Sirens. 

Oil  on  canvas.  54"  x  32". 


CLOUET,  SCHOOL  OF.  French.  16th  Century. 

The  School  of  Clouet  would  seem  to  include  a  number  of  painters 
of  the  sixteenth  century  in  France,  pupils  and  followers  of  Jehan 
Clouet  called  Jehannet,  and  of  his  son  Francois  who  lived  from 
1510(?)  to  1572. 

9.  Portrait  of  a  Lady. 

Oil  on  panel.  13"  x  16". 

COLLINGS,  CHARLES  JOHN.  British. 

Born  18 —  Devonshire,  England. 

First  exhibited  at  the  Royal  Academy  in  1887. 

10.  Ice  Scene  on  the  River. 

Water  color.  8"  x  6". 

11.  Night  on  the  Shuswap  Lake. 

Water  color.  8"  x  6". 

CONSTABLE,  JOHN,  R.  A.  British. 

Born  1776  at  East  Bergholt.  Died  1837  at  London. 

Studied  at  the  Royal  Academy  Schools. 

12.  Sandpits  at  Hampstead. 

Oil  on  canvas.  24%"xl4%". 

COROT,  JEAN  BAPTISTE  CAMILLE.  French. 

Born  1796  at  Paris.  Died  1875  at  Ville  d’Avray. 

Pupil  of  Michallon  and  of  Berlin  in  Paris.  Studied  later  in  Italy. 

13.  L’Etang  aux  Villas. 

Oil  on  panel.  15"  x  18". 

CRANE,  BRUCE,  N.  A.  American. 

Born  1857  at  New  York  City. 

Studied  with  Alex.  H.  Wyant  and  in  Europe. 

14.  Autumn  Meadowlands. 

Oil  on  canvas.  16"  x  20". 

DABO,  LEON.  American. 

Born  1868  at  Detroit,  Michigan. 

Studied  in  France  and  Italy.  Pupil  of  Daniel  Vierge,  Ecole  des 
Arts  Decoratifs,  and  of  the  Julian  Academy  in  Paris  and  of 
Galliardi  in  Rome  and  Florence. 

15.  Nassau  Beach. 

Oil  on  canvas.  34"  x  30". 


17 


No.  12  Sandpits  of  Hampstead  By  John  Constable 


DAVIS,  CHARLES  HAROLD,  N.  A.  American. 

Born  1856  at  Amesbury,  Mass. 

Pupil  of  Otto  Grundmann  in  Boston  and  of  Boulanger  and  Le- 
febvre  in  Paris. 

16.  In  April. 

Oil  on  canvas.  36"x291/4". 

DIAZ  DE  LA  PENA,  NARCISSE  VIRGILE.  French. 

Born  1809  at  Bordeaux,  France,  of  Spanish  parents.  Died  at 
Mentone  1876. 

17.  In  the  Forest  of  Fontainebleau. 

Oil  on  canvas.  21  %"  x  15". 


DOUGHERTY,  PAUL,  N.  A.  American. 

Born  1877  at  Brooklyn,  N.  Y. 

Studied  with  H.  W.  Ranger,  and  in  Paris,  London,  Florence, 
Venice  and  Munich.  Mainly  self-taught. 

18.  In  a  Golden  Light. 

Oil  on  canvas.  48"  x  36". 


EATON,  CHARLES  WARREN.  American. 

Born  1857  at  Albany,  New  York. 

Pupil  of  the  National  Academy  of  Design  and  of  the  Art  Stu¬ 
dents  League,  N.  Y. 

19.  The  Forest  of  Pines. 

Oil  on  canvas.  37%"  x  SO1^". 

Lent  by  Mr.  Thomas  Hume. 

20.  Landscape. 

Oil  on  canvas.  36"  x  24". 

21.  Snow  Scene. 

Oil  on  canvas.  36"  x  24". 


FOURNIER,  ALEXIS  JEAN.  American. 

Born  1865  at  St.  Paul,  Minnesota. 

Pupil  of  Jean  Paul  Laurens,  Benjamin  Constant,  Gustav  Courtois 
and  Henri  Harpignies. 

22.  A  France  Sky. 

Oil  on  canvas.  23 V2"  x  17 V2". 

GAINSBOROUGH,  THOMAS.  British. 

Born  1727  at  Sudbury  in  Suffolk,  England.  Died  1786  at  London. 
Studied  with  Francis  Hayman  and  with  Gravelot  the  engraver. 

23.  Sir  William  Lynch.  Portrait. 

Oil  on  canvas.  24% "  x  30". 


19 


No.  13  L’Etang  aux  Villas  By  J.  B.  C.  Corot 


GOYA  Y  LUCIENTES,  FRANCISCO  JOSe.  Spanish 

Born  1746  at  Fuendetodos  (Aragon).  Died  at  Bordeaux,  France, 
1828. 

Pupil  of  Jose  Martinez;  studied  also  at  Rome. 

24.  Don  Juan  Jose  Perez  Mora.  Portrait. 

Oil  on  canvas.  3IV2"  x  40%". 

HAWTHORNE,  CHARLES  WEBSTER,  N.  A.  American. 

Born  1872  in  Maine. 

Studied  in  New  York  City  under  Mowbray  and  Wm.  M.  Chase. 

25.  The  Florist’s  Daughter. 

Oil  on  canvas.  16"  x  20". 


HOGARTH,  WILLIAM.  British. 

Born  1697  at  Shipcourt,  Old  Bailey,  London.  Died  1764  at  Lon¬ 
don. 

Pupil  of  Sir  James  Thornhill. 

26.  Anne,  Viscountess  Irwin. 

Oil  on  canvas.  25"  x  30". 

HOPKIN,  ROBERT.  American. 

Born  1832  at  Glasgow,  Scotland.  Died  1909  at  Detroit,  Michigan. 
Mainly  self-taught. 

27.  The  Wind  that  Follows  After.  Marine. 

Oil  on  canvas.  42"  x  31". 

HOPPNER,  JOHN,  R.  A.  British. 

Born  1758  at  White  Chapel,  London.  Died  1810  at  London. 

Pupil  of  the  Royal  Academy. 

28.  John  Frere.  Portrait. 

Oil  on  canvas.  25"  x  30". 

HUYSMANS,  CORNELIS,  called  Huysmans  of  Mechlin. 
Flemish. 

Born  1648  at  Antwerp.  Died  1727  at  Mechlin. 

Pupil  of  Gaspar  de  Witte  at  Antwerp  and  Jacques  van  Artois  at 
Brussels. 

29.  Landscape. 

Oil  on  canvas.  2G"  x  17". 

HUDSON,  THOMAS.  British. 

Born  1701  in  Devonshire.  Died  1779  at  Twickenham. 

Pupil  of  Jonathan  Richardson.  A  fashionable  portrait  painter 
of  his  time  and  the  master  of  Sir  Joshua  Reynolds. 

30.  Miss  Bridget  Knight.  Portrait. 

Oil  on  canvas.  50"  x  46%  ". 


21 


No.  16 


In  April 


By  Charles  H.  Davis 


ISHAM,  SAMUEL,  N.  A.  American. 

Born  1855  at  New  York.  Died  1914  at  East  Lampton,  New  York. 
Pupil  of  Jacquesson  de  la  Chevreuse,  Boulanger  and  Lefebvre, 
Paris.  Author  of  a  History  of  American  Painting. 

31.  Girl  in  White. 

Oil  on  canvas.  32"  x  40". 

Gift  from  the  Isham  estate. 

ISRAELS,  JOSEF.  Dutch. 

Born  1824  at  Groningen.  Died  1911  at  The  Hague. 

Pupil  of  J.  A.  Kruseman  at  Amsterdam  and  of  Picot  and  Dela- 
roche  at  Paris. 

32.  In  the  Surf. 

Oil  on  panel.  13 14"  x  19 1£". 

JACQUE,  CHARLES  EMILE.  French. 

Born  1813  at  Paris.  Died  1894  at  Paris. 

Was  first  an  engraver.  Later  turned  to  painting.  Influenced  by 
Millet  and  Rousseau. 

33.  Moonlight  and  Sheep. 

Oil  on  canvas.  2614"  x  19". 

KEITH,  WILLIAM.  American. 

Born  1839  at  Aberdeenshire,  Scotland.  Died  1911  at  Berkeley, 
California. 

Began  his  career  in  New  York  as  a  wood  engraver.  Painted  in 
California,  later  studied  in  Dusseldorf  and  in  Spain.  Mainly 
self-taught. 

34.  Evening  Glow. 

Oil  on  canvas.  3014"  x  2014". 

KEVER,  JOHAN  SIMON  HENDRIK.  Dutch. 

Born  1854  at  Amsterdam.  Pupil  of  P.  F.  Grieve. 

35.  The  Evening  Meal. 

Oil  on  canvas.  32"  x  25". 

LAMBERT,  GEORGE  WASHINGTON.  British. 

Born  1873  at  Petrograd,  Russia. 

Pupil  of  the  Sidney  (Australia)  School  of  Art  under  Julian 
Rosse  Ashton.  Studied  later  in  Paris. 

36.  Souvenir  de  Noel. 

Oil  on  canvas.  40"  x  5014". 

LATHROP,  WILLIAM  LANGSON,  N.  A.  American. 

Born  1859  at  Warren,  Illinois.  Self-taught  in  art. 

37.  Old  Covered  Bridge. 

Oil  on  canvas.  25"  x  22". 


23 


No.  17  In  the  Forest  of  Fontainebleau  By  Narcisse  Diaz 


LEIGH,  WILLIAM  ROBINSON.  American. 

Born  1866  in  Berkeley  County,  West  Virginia. 

Studied  art  in  Baltimore  and  in  Munich. 

38.  Leader  of  the  Badlands  Bunch. 

Oil  on  canvas.  40"  x  30". 

Lent  by  Mr.  Otto  Loescher. 

LELY,  SIR  PETER  (Van  der  Faes).  Dutch. 

Born  1618  at  Soest  in  Westphalia.  Died  1680  at  London. 

Pupil  of  Pieter  de  Giebber  in  Haarlem.  Court  painter  to  Charles 
II  of  England. 

39.  The  Duchess  of  Bedford. 

Oil  on  canvas.  40"x49%". 

MARIS,  WILLEM.  Dutch. 

Born  1844  at  The  Hague.  Died  1910. 

Mainly  self-taught.  Influenced  by  his  brother  Jacob,  and  by 
Anton  Mauve. 

40.  Landscape. 

Oil  on  canvas.  33%"  x  441/4". 

MAZZANOVICH,  LAWRENCE.  American. 

Born  18 —  at  sea  off  the  California  Coast. 

Studied  at  the  Art  Institute,  Chicago,  and  in  Paris. 

41.  October. 

Oil  on  canvas.  30"  x  30". 

METCALF,  WILLARD  LEROY.  American. 

Born  1858  at  Lowell,  Massachusetts. 

Pupil  of  George  L.  Brown  in  Boston  and  of  Boulanger  and  Le- 
febvre  in  Paris. 

42.  Landscape.  “The  Sillon.” 

Oil  on  canvas.  29 1/4"  x  261A". 

OCHTMAN,  LEONARD,  N.  A.  American. 

Born  1854  at  Zonnemaire,  Holland.  Self-taught. 

43.  Twilight. 

Oil  on  canvas.  16"  x  12". 

ORCHARDSON,  SIR  WILLIAM  QUILLER,  R.  A.  British. 

Born  1835  at  Edinburgh.  Died  1910  at  London. 

Pupil  in  Edinburgh  of  Sir  Noel  Paton,  R.  A. 

44.  Flotsam  and  Jetsam. 

Oil  on  canvas.  38%"x23". 

45.  In  the  Gloaming. 

Oil  on  canvas.  30%"  x  49". 


25 


No.  18 


In  a  Golden  Light 


By  Paul  Dougherty 


PARTON,  ARTHUR,  N.  A.  American. 

Born  1842  at  Hudson,  New  York.  Died  1914  at  Yonkers,  New 
York.  Pupil  of  William  N.  Richards  in  Philadelphia. 

46.  Landscape. 

Oil  on  canvas.  26"  x  20". 

PENCZ,  GEORGE.  German. 

Born  1500(?)  at  Nuremberg.  Died  1550  at  Breslau. 

Probably  a  pupil  of  Albrecht  Diirer.  About  1535  became  inter¬ 
ested  in  engraving. 

47.  Portrait  of  a  Lady. 

Oil  on  panel.  18"  x  25". 

PHILPOT,  GLYN  WARREN.  British. 

Born  18 —  at  London,  England. 

Member  International  Society  of  Sculptors,  Painters  and  Gravers. 

48.  The  Marble  Worker. 

Oil  on  canvas.  42%"  x  51". 

POTTHAST,  EDWARD  HENRY,  N.  A.  American. 

Born  1857  at  Cincinnati.  Pupil  of  the  Cincinnati  School  of  Fine 
Arts.  Studied  in  Antwerp,  Munich  and  Paris. 

49.  Off  the  Banks. 

Oil  on  canvas.  24"  x  2014". 

PRINET,  RENe  FRANCOIS  XAVIER.  French. 

Born  1861  at  Vitry-le-Francois  in  Marne. 

Studied  under  Gerome,  Courtois,  and  Dagnan-Bouveret. 

50.  On  the  Sea  Shore. 

Oil  on  canvas.  31%"  x25%". 

RAEBURN,  SIR  HENRY,  R.  A.  British. 

Born  1756  at  Stockbridge,  now  a  part  of  Edinburgh,  Scotland. 
Died  1823  at  Edinburgh.  Pupil  of  David  Marlin  in  Edinburgh. 

51.  Man  with  the  Hat.  Portrait  of  Sir  William  Napier. 

Oil  on  canvas.  2714"  x  35 

ROBERTSON,  GEORGE  J.  British. 

Born  in  England,  died  1870  (?)  when  very  old  at  Rockford,  Illi¬ 
nois. 

Taught  painting  in  Chicago,  and  in  his  time  was  considered  a 
leading  painter  in  the  west. 

52.  George  Washington. 

Portrait  in  oil,  after  the  full  length  (Lansdown)  portrait  by 
Gilbert  Stuart.  6014"  x  9414". 

The  picture  was  painted  for  the  County  Court  House  at  Rock¬ 
ford,  Illinois,  but  because  of  a  difference  of  opinion  as  to  the 
price  asked  the  artist  refused  to  accept  any. 

Lent  by  Mr.  H.  C.  Rood,  Muskegon. 


No.  19 


The  Pines 


By  Charles  Warren  Eaton 


ROUSSEAU,  PIeRRE  ETIENNE  THEODORE.  French. 

Born  1812  at  Paris.  Died  1867  at  Barbizon. 

Pupil  of  Remond  and  Lethiere. 

53.  Landscape. 

Oil  on  panel.  12 %"  x  8%". 


RYDER,  CHAUNCEY  F.,  N.  A.  American. 

Born  1868  at  Danbury,  Connecticut. 

Pupil  of  the  Art  Institute,  Chicago;  Julian  Academy,  Collin  and 
Laurens  in  Paris. 

54.  Highwater,  River  at  Topsfield. 

Oil  on  canvas.  40"x32%". 


SHIRLAW,  WALTER,  N.  A.  American. 

Born  1838  at  Paisley,  Scotland.  Died  1909  at  Madrid,  Spain. 
Began  as  an  engraver  and  illustrator.  Later  studied  painting  in 
Munich  under  Wagner  and  Kaulbach. 

55.  Clytie. 

Oil  on  panel.  8"  x  10%  ". 

56.  Figure  Sketch  for  Mural  decoration. 

Water  color.  8%"xl3". 

57.  The  Glass  Blowers. 

Water  color.  9%"  x  13". 

58.  Landscape. 

Water  color.  17"x5%". 

59.  Sand  Dunes. 

Water  color.  19  %"  x  13%". 

60.  Shepherd  and  His  Flock. 

Oil  on  canvas.  29 %"  x  15%". 

Numbers  55-60  given  by  Mrs.  Walter  Shirlaw. 

61.  The  Gateway. 

Oil  on  panel.  14"xl7%". 

SIDANER,  HENRI  EUGENE  LE.  French. 

Born  1862  in  the  Island  of  Mauritius,  of  Breton  parents. 

Pupil  of  L’Ecole  des  Beaux  Arts  under  Cabanel. 

62.  Nocturne  in  Bruges. 

Oil  on  canvas.  25"  x  27%". 

SONNTAG,  WILLIAM  LOUIS,  N.  A.  American. 

Born  1822  at  Pittsburgh,  Pennsylvania.  Died  1900  at  New  York. 
Studied  art  first  in  Cincinnati,  later  in  Europe. 

63.  Mountain  Landscape. 

Oil  on  canvas.  48"  x  32". 


29 


No.  23  Sir  William  Lynch 


By  Thomas  Gainsborough 


STANLEY,  JAMES  M.  American. 

Born  1814  at  Canandaigua,  New  York.  Died  1872  at  Detroit, 
Michigan.  Painted  portraits  in  Detroit  in  1835.  Later  followed 
his  profession  in  the  east. 

64.  A  November  Day. 

Oil  cn  canvas.  26"  x  1314". 

Given  by  Mrs.  F.  A.  Nims. 

TANNER,  HENRY  OWASSA.  American. 

Born  1859  at  Pittsburgh. 

Pupil  of  Thomas  Eakins  in  Philadelphia  and  of  Jean  Paul  Laur¬ 
ens  and  Benjamin  Constant,  Paris. 

65.  The  Holy  Family. 

Oil  cn  canvas.  44"  x  36". 

TRYON,  DWIGHT  WILLIAM,  N.  A.  American. 

Born  1849  at  Hartford,  Connecticut. 

Pupil  of  Jaquesson  de  la  Chevreuse  and  of  Daubigny  in  Paris. 

66.  Moonrise  at  Sunset. 

Oil  on  panel.  23%"  x  15%  ". 

TURNER,  EDWIN  A.  American. 

Born  18 — -.  Died  1903  at  Grand  Rapids,  Michigan. 

Studied  in  New  York  and  Paris. 

67.  A  Highlander. 

Oil  on  canvas.  24"  x  30". 

Given  by  Mrs.  E.  A.  Turner. 

VAN  DEN  EECKHOUT,  GERBRAND.  Dutch. 

Born  1621  at  Amsterdam.  Died  1674  at  Amsterdam. 

Pupil  and  follower  of  Rembrandt. 

68.  Fragment  of  a  Painting — Scriptural  subject. 

Oil  on  canvas.  32"  x  72". 

VAN  DER  WEELE,  H.  J.  Dutch. 

Born  1852  at  Middleburg,  Zeeland,  Holland. 

Pupil  of  Kachel. 

69.  The  End  of  the  Day. 

Oil  on  canvas.  50%"x341/4". 

VOLK,  DOUGLAS,  N.  A.  American. 

Born  1856  at  Pittsfield,  Mass. 

Studied  in  Rome  and  under  Gerome  in  Paris. 

70.  Adoration. 

Oil  on  canvas  board.  10"  x  12". 

WEIS,  JOSE.  British. 

Born  1859  at  Paris,  of  English  parents. 

Studied  in  Paris.  Became  a  naturalized  Englishman  in  1899. 

71.  The  Road  Through  the  Common. 

Oil  on  canvas.  40"  x  24". 


31 


No.  24  Don  Juan  Jose  Perez  Mora 


By  Francisco  Goya 


WEISSENBRUCH,  JOHANNES  HENDRIK.  Dutch. 

Born  1824  in  Holland.  Died  1903  in  Holland. 

Studied  under  Shelf hout  and  Van  Hove. 

72.  Beach  at  Noordwijk  (Low  Tide). 

Oil  on  canvas.  19"xl4%". 

WEST,  BENJAMIN,  R.  A.  American. 

Born  1738  at  Springfield,  Pa.  Died  1820  at  London,  England. 

At  an  early  age  painted  portraits  in  Philadelphia;  studied  in 
New  York,  later  in  Italy.  Settled  in  London  in  1763;  was  court 
painter  to  George  III,  and  President  of  the  Royal  Academy  from 
1792  until  his  death. 

73.  The  Return  from  the  Promised  Land. 

Oil  on  canvas.  30%"x23". 

WHISTLER,  JAMES  ABBOTT  McNEILL.  American. 

Born  1834  at  Lowell,  Mass.  Died  1903  at  London,  England. 
Student  at  U.  S.  Military  Academy,  West  Point,  1851  to  1854. 
Pupil  of  Gleyre  in  Paris. 

74.  Study  in  Rose  and  Brown. 

Oil  on  canvas.  12"  x  20". 

WIGGINS,  GUY  CARLETON,  A.  N.  A.  American. 

Born  1883  at  Brooklyn,  New  York. 

Studied  with  his  father  Carleton  Wiggins  and  at  the  National 
Academy  of  Design. 

75.  The  Old  North  Dock. 

Oil  on  canvas.  30"  x  25". 

WILLIAMS,  FREDERICK  BALLARD,  N.  A.  American. 

Born  1871  at  Brooklyn,  New  York. 

Pupil  of  John  Ward  Stimson  and  of  the  National  Academy  of 
Design. 

76.  The  Grand  Canyon. 

Oil  on  canvas.  20"  x  14". 

WILSON,  RICHARD,  R.  A.  British. 

Born  1714  at  Pinegas,  Montgomeryshire.  Died  1782  at  Llan- 
beris,  North  Wales. 

Studied  under  Thomas  Wright  in  London,  and  in  Italy. 

77.  Landscape. 

Oil  on  canvas.  36"  x  2814". 

WYANT,  ALEXANDER  HELWIG,  N.  A.  American. 

Born  1836  at  Port  Washington,  Ohio.  Died  1892  at  New  York 
City. 

Pupil  of  Hans  Gude,  Karlsruhe,  Germany.  Influenced  by  George 
Inness. 

78.  Evening. 

Oil  on  canvas.  16"  x  12". 

Gift  of  R.  R.  Ricketts. 

TWACHTMAN,  JOHN  HENRY.  American. 

Born  1853  at  Cincinnati,  Ohio.  Died  1902  at  Gloucester,  Mass. 
Studied  first  in  Cincinnati  and  later  in  Italy  with  Frank  Duveneck, 
and  in  Paris  with  Boulanger  and  Lefebvre. 

79.  A  Misty  Morning. 

Water  color.  22"  x  18". 


No.  26  Anne  Viscountess  Irwin 


By  William  Hogarth 


PRINTS  . 

THE  ARUNDEL  REPRODUCTIONS 

These  works  are  for  the  most  part  color  prints  repro¬ 
ducing  the  historic  Italian  frescoes  or  wall  paintings  of  the 
fourteenth,  fifteenth  and  sixteenth  centuries.  They  were 
published  by  the  Arundel  Society  of  London,  an  organization 
of  art  amateurs  formed  in  1848  for  the  purpose  of  “promot¬ 
ing  the  knowledge  of  art  by  copying  and  publishing  im¬ 
portant  works  of  ancient  masters,”  more  especially  those 
little  known  or  exposed  to  damage  and  decay. 

This  Society  which  ended  its  work  in  1897  published 
about  two  hundred  of  these  chromo-lithographs,  together 
with  heliogravures,  photographs,  engravings  and  books  on 
the  artists  and  works  of  art  published  by  the  society. 

The  collection  of  prints  owned  by  the  Gallery  is  an 
almost  complete  one.  The  books  may  be  found  at  the 
Hackley  Library. 

ALBERTINELLI,  MARIOTTO— Florentine,  1474-1515. 

1.  The  Visitation.  (Meeting  of  Mary  and  Elizabeth.) 

From  picture  in  the  Uffizi  Gallery,  Florence. 

ALUNNO.  See  Foligno,  Niccolo  da. 

ANGELICO,  FRA  (GIOVANNI  DA  FIESOLE)—  Florentine,  1387- 
1455. 

2.  Christ  and  Disciples  at  Emmaus. 

3.  Christ  and  Mary  Magdalene  in  the  Garden. 

4.  Coronation  of  the  Virgin. 

5.  The  Annunciation. 

6.  The  Crucifixion. 

7.  The  Entombment. 

8.  The  Marys  at  the  Sepulchre. 

9.  The  Transfiguration. 

10.  Madonna  and  Child  with  Attendant  Saints. 

11.  Presentation  in  the  Temple. 

(Numbers  2-11  from  frescoes  in  the  convent  of  San  Marco, 
Florence.) 

12.  St.  Stephen’s  Ordination  and  Distribution  of  Alms. 

(From  frescoes  in  St.  Lawrence  Chapel,  Vatican.) 

AVANZO,  JACOPO  D’ — Veronese,  end  of  XIV  Century. 

13.  St.  Lucy  Sentenced  to  Death  by  Praeter.  (From  a  fresco  in  S. 
Antonio,  Padua.) 

BARTOLOMMEO,  FRA— Florentine,  1475-1517. 

14.  The  Annunciation.  (From  fresco  in  Villa  dei  Frati  di  S.  Marco, 
near  Florence.) 

15.  Christ  and  Disciples  at  Emmaus. 

16.  The  Virgin  and  Child. 

(Numbers  15-16  from  frescoes  in  Convent  of  San  Marco.) 


35 


No.  28  John  Frere 


By  John  Hoppner 


BARTOLOMMEO,  FRA  and  SOGLIANI,  GIOVANNI  ANTONIO— 
Florentine,  1492-1544. 

17.  Vision  of  St.  Dominic.  (From  a  fresco  in  the  refectory  of  the 
Convent  of  San  Marco,  Florence.) 

BAZZI,  GIOVANNI  ANTONIO  (IL  SODOMA)— Sienese-Lombard, 
1479-1549. 

18.  Christ  Bound  to  the  Column.  (From  fresco  in  the  Accademia, 
Siena.) 

19.  Figure  of  the  Saviour.  (From  a  partially  destroyed  fresco  in 
Convent  of  S.  Anna,  near  Siena.) 

20.  St.  Benedict  Preaching  to  Women.  (From  fresco  in  monastery 
of  Monte  Oliveto,  near  Siena.) 

21.  Swoon  of  St.  Catherine. 

22.  Ecstasy  of  St.  Catherine. 

(Numbers  21-22  from  frescoes  in  San  Domenico,  Siena.) 

BELLINI,  GIOVANNI— Venetian,  1426-1516. 

23.  Madonna  and  Child  Enthroned.  (From  Altar-piece  in  the  Frari 
Church,  Venice.) 

BOCCACCINO,  BOCCACCIO— Venetian,  1460-1518. 

24.  Christ  Among  the  Doctors.  (From  fresco  in  Cathedral  at 
Cremona.) 

BOTTICELLI,  SANDRO— Florentine,  1447-1510. 

25.  The  Primavera.  (From  a  painting  in  the  Accademia,  Florence.) 

26.  Venus  Rising  from  the  Sea.  (From  a  painting  in  the  Uffizi 
Gallery,  Florence.) 

CARPACCIO,  VITTORE— Venetian,  c.  1450-1522. 

27.  St.  George  Baptizing  Princess  Cleodolinda  and  Her  Father. 

28.  St.  Jerome  in  his  Study. 

29.  The  Calling  of  St.  Matthew. 

(Numbers  27-29  from  fresco  and  pictures  in  S.  Giorgio  degli 
Schiavoni,  Venice.) 

CAVAZZOLA,  PAOLO  MORANDO— Venetian,  c.  1489-1522. 

30.  The  Deposition  from  the  Cross.  (From  picture  in  the  Municipal 
Museum,  Verona.) 

DtjRER,  ALBRECHT — German  (Nuremberg),  1471-1528. 

31.  St.  John  Evangelist,  and  St.  Peter. 

32.  St.  Mark  and  St.  Paul. 

(Numbers  31-32  from  picture  in  Alte  Pinakothek,  Munich.) 

33.  Adoration  of  the  Holy  Trinity.  (From  picture  in  the  Belvedere 
Gallery,  Vienna.) 

EYCK,  JAN  VAN  (1370  7-1426)  and  HUBERT  VAN  (1390  7-1440)  — 
Flemish. 

34.  35.  Adam  and  Eve.  Two  panels. 

36,  37.  St.  Cecila  at  the  Organ  and  an  Angelic  Choir. 

38.  The  Adoration  of  the  Lamb. 

39-42.  Procession  of  Judges,  Warriors,  Hermits  and  Pilgrims. 


3" 


No.  29  Landscape 


By  Cornelis  Huysmans 


43-46.  Annunciation — with  Prophets  and  Sibyls. 

47-50.  Portraits  of  Jodocus  Vydt,  Lord  of  Pomole;  and  his  Wife, 
Isabella  de  Borlunt,  with  Patron  Saints. 

51-53.  Virgin  Mary;  God  the  Father;  St.  John  Baptist. 

Numbers  34-53  are  from  the  great  Altar-piece  of  Ghent.  It  was 
in  the  form  of  a  triptych  of  twenty  panels  and  was  executed  for 
the  private  Chapel  of  a  rich  Dutch  citizen  for  the  Church  of  St. 
John  (now  St.  Bavon)  of  Ghent. 

It  consisted  of  the  main  shrine  “The  Adoration  of  the  Lamb” 
number  38  and  side  panels  numbers  39-42.  Above  were  the 
“Triune  God  with  the  Virgin  and  St.  John”  numbers  51-53  and  on 
either  side  the  panels  of  “St.  Cecelia”  and  “Angelic  Choir”  num¬ 
bers  36-37  with  the  figures  of  “Adam  and  Eve”  numbers  34-35. 
On  the  outside  of  the  wings  of  the  triptych  were  “The  Donor  and 
his  Wife,”  Jodocus  and  Isabella  Vydt  with  John  Baptist  and  John 
the  Evangelist  numbers  47-50.  Above  these  was  the  Annuncia¬ 
tion. 

The  triptych  was  opened  only  on  festal  occasions.  At  other 
times  the  outside  of  the  wings  alone  were  to  be  seen. 

With  the  exception  of  the  fixed  central  portions  the  panels 
have  long  been  scattered,  but  as  a  result  of  the  world  war  these 
are  to  be  again  assembled  in  the  Church  of  St.  Bavon. 

FERNANDEZ,  VASCO  (Called  Gran  Vasco)— Portuguese,  born  1552. 

54.  St.  Peter  Enthroned  as  Pope.  (From  panel  in  Cathedral  at 
Vizen,  Portugal.) 

FIORENZO  DI  LORENZO— Umbrian,  c.  1440-1552. 

55.  St.  Bernardino  Healing  a  Wounded  Man.  (From  picture  in 
Perugia  Gallery.) 

FOLIGNO,  NICCOLO  DA— Umbrian,  c.  1430-1502. 

56.  Madonna  and  Child  with  Attendant  Saints.  (From  altar-piece 
in  Communal  Palace  at  Gualdo  Tadino,  Umbria.) 

FRANCESCHI,  PIERO  DEI— Umbrian,  1368— c.  1484. 

57.  Resurrection  of  Christ.  (From  fresco  at  Borgo  San  Sepulcro.) 

FRANCIA,  FRANCESCO— Bolognese,  1450-1517. 

58.  Marriage  of  St.  Cecilia. 

59.  Burial  of  St.  Cecilia. 

(Numbers  58,  59  from  fresco  in  Church  of  St.  Cecilia,  Bologna.) 

GHIRLANDAIO  (DOMENICO  BIGORDI— Florentine,  c.  1449-1494. 

60.  Augustus  and  the  Sibyl.  (From  fresco  in  Church  of  S.  Trinita, 
Florence.) 

61.  Death  of  St.  Fina.  (From  fresco  in  Church  at  S.  Gimignano.) 

62.  Death  of  St.  Francis. 

63.  Heads  of  a  bishop  and  a  priest. 

(Numbers  62,  63  from  fresco  in  S.  Trinita,  Florence.) 

64.  Nativity  of  the  Virgin.  (From  frescoes  in  S.  Maria  Novella, 
Florence.) 


39 


No.  30  Miss  Bridget  Knight  By  Thomas  Hudson 


66.  Zacharias  naming  his  son  John. 

67.  The  Last  Supper.  (From  fresco  in  Ognissanti  Church,  Florence.) 
65.  St.  John  the  Baptist  Preaching. 

GIORGIONE  (GIORGIO  BARBARELLI)— Venetian,  1476-1511. 

68.  Virgin  and  Child  Enthroned  between  St.  Liberale  and  St.  Francis. 
(From  altar-piece  in  Church  of  Castel-franco.) 

GIOTTO  (GIOTTO  DI  BONDONE)— Florentine,  1266-1337. 

69.  Portrait  of  Dante.  (From  fresco  in  the  Bargello,  Florence.) 

70.  St.  Francis  Preaching  to  the  Birds. 

71.  St.  Francis  Preaching  Before  Pope  Honorius  III. 

(Numbers  70,  71  from  frescoes  in  Upper  Church  of  St.  Francis 
Assisi.) 

GOZZOLI,  BENOZZO— Florentine,  1420-1498. 

72.  73.  Angels  Adoring.  Two  Parts. 

74.  Procession  of  the  Kings. 

(Numbers  72-74  from  frescoes  in  the  Riccardi  Palace,  Florence.) 

75.  Madonna  and  Child  with  Attendant  Saints.  (From  altar-piece 
in  monastery  at  Montefalco.) 

76.  St.  Augustine  and  the  Child.  (From  fresco  in  La  Collegiata,  at 
S.  Gimignano.) 

77.  St.  Augustine  Preaching.  (From  fresco  in  S.  Agostino,  at  S. 
Gimignano.) 

HOLBEIN,  HANS,  the  younger — German  (Augsburg),  1495-1543. 

78.  Virgin  and  Child  with  the  Meier  Family.  (From  picture  in 
Palace  at  Darmstadt.) 

LEONARDO  DA  VINCI— Florentine,  1452-1519. 

79.  Virgin  and  Child  with  Donor.  (From  fresco  in  monastery  of 
S.  Onofrio,  Rome.) 

LIBRI,  GIROLAMO  DAI— Venetian,  1474-1555. 

80.  Virgin  and  Child  with  St.  Augustine  and  St.  Zeno.  (From 
picture  in  San  Giorgio  Church,  Verona.) 

LIPPI,  FRA  FILIPPO— Florentine,  c.  1406-1469. 

81.  Virgin  and  Child.  (From  picture  in  the  Uffizi  Gallery,  Florence.) 

82.  Virgin  and  Child.  (From  picture  in  the  Accademia,  Florence.) 
LIPPI,  FILIPPINO— Florentine,  1457-1504. 

83.  St.  Peter  in  Prison  Visited  by  Paul  (Head  of). 

84,85.  St.  Peter  in  Prison  Visited  by  St.  Paul;  St.  Peter  Delivered 
from  Prison. 

86.  St.  Peter  and  Paul  Before  Felix  and  Martyrdom  of  Peter. 
(Numbers  83-86  from  Brancacci  frescoes  in  the  Carmine  Church, 
Florence.) 

87.  Madonna  and  Child.  (From  fresco  at  Prato.) 

88.  The  Vision  of  St.  Bernard.  (From  altar-piece  in  the  Badia, 
Florence.) 

LOTHENER,  STEPHEN— German  (Cologne),  c.  1400-1451. 

89.  The  Angel  Gabriel. 


41 


No.  32  In  the  Surf 


By  Josef  Israels 


90.  St.  Ursula  and  Her  Virgins. 

91.  Adoration  of  the  Magi. 

92.  St.  Gereon  and  His  Warriors. 

93.  The  Virgin  Annunciate. 

(Numbers  89-93  from  altar-piece  in  Cathedral,  Cologne.) 

LORENZETTI,  PIETRO— Sienese,  died  1348. 

94.  Descent  from  the  Cross.  (From  fresco  in  lower  Church  of  St. 
Francis,  Assisi.) 

LORENZO,  FIORENZO  DI.  See  Fiorenzo. 

LORENZO  DI  VITERBO— XV  Century. 

95.  Betrothal  of  the  Virgin.  (From  fresco  in  the  Chapel  of  Servite 
Church,  Viterbo.) 

LUINI,  BERNARDINO  (BERNARDINO  DEL  LUPINO)— Lombard- 
Milanese,  c.  1475-1533. 

96.  Adoration  of  the  Magi. 

97.  Christ  Among  the  Doctors. 

98.  The  Marriage  of  the  Virgin. 

99.  Presentation  in  the  Temple. 

100.  Head  of  Joseph  from  Presentation  in  the  Temple. 

(Numbers  96-100  from  frescoes  in  Santuario  d.  M.  Saronno.) 

101.  Burial  of  St.  Catherine.  (From  fresco  now  in  the  Brera  Gallery, 
Milan.) 

102.  Tracing  from  Head  of  Burial  of  St.  Catherine.  (From  frescoes 
now  in  Brera  Gallery,  Milan.) 

103.  Donatrix,  Ippolita  Sforza  with  Patron  Saints.  (From  fresco  in 
Church  of  S.  Manuizio  at  Milan.) 

MANTEGNA,  ANDREA— Venetian,  1431-1506. 

104.  Conversion  of  Hermogenes  the  Sorcerer. 

105.  St.  James  Before  Herod  Agrippa. 

(Numbers  104-5  from  frescoes  in  Eremitani  Church,  Padua.) 

MARTINI,  SIMONE  (SIMONE  MEMMI)— Sienese,  1283-1344. 

106.  The  Annunciation.  (From  picture  in  the  Louvre.) 

MASACCIO  (TOMMASO  GUIDI)— Florentine,  1401-1428. 

107.  Tribute  Money. 

108, 109.  Detail  Heads,  Tribute  Money. 

110,  111.  S.  S.  Peter  and  John  Healing  the  Sick  by  their  Shadows;  and 
Giving  Alms. 

112.  Head  of  S.  S.  Peter  and  John  Giving  Alms. 

113, 114.  St.  Peter  Preaching  and  Baptizing. 

(Numbers  107-114  from  Brancacci  Chapel  frescoes,  Carmine 
Church,  Florence.) 

MASACCIO  and  LIPPI. 

115.  S.  S.  Peter  and  Paul  Raising  the  King’s  Son  and  Homage  to  St. 
Peter. 

116.  Head  from  S.  S.  Peter  and  Paul  Raising  the  King’s  Son. 


43 


No.  33  Moonlight  and  Sheep  By  Charles  Jsmile  Jacque 


117, 118.  The  Fall  and  Expulsion. 

(Numbers  115-118  from  Brancacci  Chapel  frescoes,  Carmine 
Church,  Florence.) 

MASOLINO  DA  PANICALE  (TOMMASO  FINI). 

119.  S.  S.  Peter  and  John  Healing  a  Cripple  and  Raising  Petronilla. 

120.  Detail  Head  from  Raising  of  Petronilla. 

MELOZZO  DA  FORLI  (MARCO  DEGLI  AMBROSI)— Umbrian,  1438- 
1494. 

121.  An  Angel.  (From  fresco  now  in  Sacristy  of  St.  Peter’s,  Rome.) 

122.  An  Angel.  (From  fresco  now  in  Sacristy  of  St.  Peter’s,  Rome.) 

123.  Pope  Sixtus  IV  Giving  Audience.  (From  fresco  now  in  Library 
of  Vatican. 

MEMLINC,  HANS— Flemish,  c.  1425-1495. 

124.  Adoration  of  the  Magi. 

125, 126.  Nativity  of  Our  Lord;  Presentation  in  the  Temple. 

127, 128.  St.  John  Baptist;  and  St.  Veronica. 

(Numbers  124-128  from  panels  of  triptych  in  Hospital,  Bruges.) 
129, 130.  The  Angel  Gabriel;  Virgin  Annunciate. 

131, 132.  St.  Giles;  and  St.  Jerome. 

133.  The  Crucifixion. 

134, 135.  St.  John;  and  St.  Blaise. 

136, 137.  Christ  Bearing  the  Cross;  Interment  and  Resurrection. 

(Numbers  129-137  from  an  altar-piece  in  the  Cathedral,  Liibeck.) 

MEMMI.  See  Martini. 

MICHELANGELO  BUONARROTI— Florentine,  1475-1564. 

138.  The  Delphic  Sibyl. 

139.  The  Prophet  Ezekiel. 

140.  The  Prophet  Jeremiah. 

(Numbers  138-140  from  frescoes  in  the  Sistine  Chapel,  Vatican.) 

MONTAGNA,  BARTOLOMMEO— Venetian,  c.  1450-1523. 

141-141a.  St.  John  the  Baptist  and  St.  Benedict;  St.  Nazarius  with  St. 
Celsus.  (From  pictures  in  S.  S.  Nazzaro  e  Celso,  Verona.) 

MORANDO.  See  Cavazzola. 

MORE,  SIR  ANTHONY— Dutch,  c.  1512-1578. 

142.  Portrait  of  Queen  Mary  I,  Queen  of  England.  (From  picture  in 
the  Royal  Museum,  Madrid.) 

NELLI,  OTTAVIANO  DI  MARTINO— Umbrian,  1403-1444. 

143.  Madonna  and  Saints.  (From  fresco  in  S.  Maria  Nuova  at 
Gubbio.) 

NICCOLO  DA  FOLIGNO.  See  Foligno. 

PACCIAROTTO,  JACOPO— Sienese,  1474-1540. 

144.  St.  Catherine  Finding  the  Body  of  St.  Agnes.  (From  fresco  in 
the  Oratory  of  St.  Catherine,  Siena.) 


45 


No.  36  Souvenir  de  Noel  By  George  W.  Lambert 


PERUGINO,  PIETRO  (PIETRO  VANNUCCI)— Umbrian,  c.  1446- 
1524. 

145.  Adoration  of  the  Magi.  (From  fresco  in  S.  Maria  dei  Bianchi, 
near  Perugia.) 

146.  Christ’s  Charge  to  St.  Peter.  (From  fresco  in  the  Sistine 
Chapel.)  . 

147.  Marriage  of  the  Virgin.  (From  fresco  in  the  ex-convent  of  S. 
Girolamo,  near  Spello.) 

148.  Martyrdom  of  St.  Sebastian.  (From  fresco  in  the  Chapel  of 
Convent,  Panicale.) 

149.  Nativity  and  Adoration  of  Christ.  (From  fresco  in  S.  Francesco 
d.  M.,  Perugia.) 

150.  Prophets  and  Sibyls. 

151.  The  Transfiguration. 

(Numbers  150-151  from  frescoes  in  the  Sala  del  Cambio, 
Perugia.) 

152-154.  The  Crucifixion— three  panels.  (From  frescoes  in  S.  Maria 
M.  de’  Pazzi,  Florence.) 

PINTURICCHIO  (BERNARDINO  DI  BIAGIO)— Umbrian,  c.  1454- 
1513. 

155.  Aeneas  Silvius  Piccolomini  Receiving  the  Cardinal’s  Hat.  (From 
frescoes  in  the  Piccolomini  Library,  Siena.) 

156.  Betrothal  of  Frederick  III.  (From  fresco  in  the  Piccolomini 
Library.) 

157.  Christ  Among  the  Doctors. 

158.  The  Nativity  of  Our  Lord. 

(Numbers  157-158  from  fresco  in  S.  Maria  Maggiore,  Spello.) 

159.  Madonna  in  Glory  with  Saints.  (From  altar-piece  at  Monte 
Oliveto,  near  Rome.) 

160.  Nativity  of  Our  Lord.  (From  fresco  in  S.  Maria  del  Popolo, 
Rome.) 

161.  St.  Catherine  of  Alexandria  Pleading  Before  Her  Judges.  (From 
fresco  in  one  of  the  Appartamenti  Borgia,  in  the  Vatican.) 

PISANELLO  (VITTORE  PISANO) — Veronese  Venetian,  c.  1375-1456. 

162.  Departure  of  St.  George.  (After  fresco  in  S.  Anastasia,  at 
Verona.) 

RAPHAEL  (RAFAELLO  SANZIO  D’  URBINO)— Roman,  1483-1520. 

163.  Justice. 

164.  Philosophy. 

165.  Poetry. 

166.  Theology. 

167.  Poets  on  Mt.  Parnassus. 

168.  St.  Peter  Delivered  from  Prison. 

(Numbers  163-168  from  frescoes  in  the  Stanze  of  the  Vatican, 
Rome.) 

169.  The  Four  Sibyls.  (From  fresco  in  S.  Maria  della  Pace,  Rome.) 


47 


No.  39 


The  Duchess  of  Bedford 


By  Sir  Peter  Lely 


ROMANINO,  GIROLAMO— Venetian,  c.  1485-1566. 

170.  The  Hunt.  (From  fresco  in  the  Castle  of  Malpaga,  near  Ber¬ 
gamo.) 

SANZIO,  GIOVANNI  (Father  of  Raphael) — Umbrian,  c.  1435-1494. 

171.  Virgin  and  Child  with  Saints.  Resurrection  of  Christ.  (From 
fresco  in  S.  Domenico  at  Cagli.) 

SARTO,  ANDREA  DEL— Florentine,  1486-1531. 

172.  Madonna  del  Sacco. 

173.  Nativity  of  the  Virgin. 

174.  Procession  of  the  Magi. 

175.  St.  Filippo  Benizzi  Healing  Children. 

(Numbers  172-175  from  frescoes  in  the  Annunziata  Convent, 
Florence. 

SIGNORELLI,  LUCA— Florentine,  1441-1523. 

176.  Dante. 

177.  Virgil. 

(Numbers  176,  177  from  frescoes  in  the  Cathedral,  Orvieto.) 

178.  Events  in  the  life  of  Moses.  (From  fresco  in  the  Sistine  Chapel, 
Vatican,  Rome.) 

TITIAN  (TIZIANO  VECELLI)— Venetian,  1477-1576. 

179.  St.  Anthony  of  Padua  Healing  the  Foot  of  a  Young  Man. 

(From  fresco  in  the  Scuola  del  Santo,  Padua.) 

VASCO.  See  Fernandez. 

VERONESE,  PAOLO— Venetian,  1528-1588. 

180.  Temperance. 

181.  Justice. 

(Numbers  180,  181  from  frescoes  in  the  Villa  Giacomelli,  near 
Venice.) 

VITERBO.  See  Lorenzo  di  Viterbo. 

WILHELM  OF  COLOGNE,  MEISTER— c.  1330-1378. 

182.  Madonna  with  a  Violet.  (From  picture  in  the  Collection  of  The 
Archbishop  of  Cologne.) 

UNKNOWN. 

183.  The  Nursing  of  Bacchus.  (From  Roman  wall  painting,  Farnesia 
Palace.) 

184.  Richard  II  Before  Madonna  with  Saints  and  Angels. 

185.  The  Conversion  of  Saul.  (From  a  tapestry  in  the  Vatican.) 
MONUMENTS  and  INTERIORS. 

186.  Monument  of  Can  Grande  della  Scala.  (In  the  Church  of  S. 
Maria  Antica,  Verona.) 

187.  Monument  of  Count  Guglielmo  da  Castelbarco,  adjoining  the 
Church  of  S.  Pietro  Martire  at  Verona. 

188.  Monument  of  the  Doge  Morosini. 

189.  Monument  of  the  Doge  Andrea  Vendramini. 

(Numbers  188,  189  in  Church  of  S.  S.  Giovanni  e  Paola,  Venice.) 


49 


No.  40 


Landscape 


By  Willem  Maris 


190.  Monument  of  the  Cavalli  Family. 

191.  Monument  of  Tommaso  Pellegrini. 

(In  Church  of  S.  Anastasia,  Verona.) 

192.  Interior  of  the  Arena  Chapel,  Padua  showing  frescoes  by  Giotto. 

193.  Interior  of  the  Piccolomini  Library  at  Siena,  showing  frescoes  by 
Pintoricchio. 

SELECTED  from  ITALIAN  CHORAL  BOOK  in  the  PICCOLOMINI 
LIBRARY,  SIENA. 

194.  Illuminated  Capital  Letter  “D” — Christ’s  Entry  into  Jerusalem. 
(Liberale  da  Verona.) 

195.  Illuminated  Capital  Letter  “F” — (Attributed  to  Fra  Angelico). 

196.  Illuminated  Capital  Letter  “C” — St.  Lawrence  Before  His  Mar¬ 
tyrdom. 

197.  Illuminated  Capital  Letter  “L” — Miracle  of  the  Loaves  and 
Fishes.  (Fra  Benedetto  da  Fiesole.) 

ENGRAVING. 

198.  St.  Lawrence  Distributing  Alms.  (From  painting  by  Fra 
Angelico.) 

HELIOGRAVURES. 

199.  The  Arrival  of  King  Christian  at  Malpaga. 

200.  The  Departure  of  King  Christian. 

201.  The  Tournament. 

202.  The  Distribution  of  Liveries. 

203.  The  Banquet. 

(From  frescoes  by  Romanino  in  the  Castle  of  Malpaga  near 
Bergamo.) 


ETCHINGS  AND  ENGRAVINGS 

BARR,  ROBERT  ALLAN.  British.  (See  under  Painting.) 

204.  The  Christening,  Oswestry  Church.  Etching.  Signed  in  margin, 
Allan  Barr  1913.  Gift  of  the  artist. 

BAUER,  MARIUS  A.  J.  Dutch. 

Born  1867  at  the  Hague. 

Pupil  of  the  Hague  Art  Academy. 

205.  The  Prince.  Etching.  Signature,  M.  Bauer  1912,  etched  in  plate. 
Signed  in  margin,  M.  Bauer. 

BRANGWYN,  FRANK.  British. 

Born  1866  at  Bruges. 

206.  Old  Hammersmith.  Etching.  Signed  in  margin,  Frank  Brangwyn. 

MARIS,  MATTHYS.  Dutch. 

Born  1835  at  the  Hague.  Died  1917  at  London. 

Pupil  of  Baron  Leys  at  Antwerp  Academy  and  of  Hamon  in 
Paris. 

207.  The  Sower.  Etching,  after  the  painting  by  Jean  Francois  Millet. 
Signed  in  margin,  M.  Maris. 


51 


/ 


No.  47  Portrait  of  a  Lady  By  George  Pencz 


REYNOLDS,  SAMUEL  WILLIAM.  British. 

Born  1773  at  London.  Died  1835  at  London. 

Pupil  of  the  Academy  Schools  and  of  Charles  Howard  Hodges. 

208.  Sir  William  Lynch.  Mezzotint  engraving  after  the  painting  by 
Thomas  Gainsborough  in  the  permanent  collection  of  the  Hackley 
Art  Gallery.  Lettered  as  follows:  William  Lynch,  Esq.,  En¬ 
graved  by  S.  W.  Reynolds  from  a  picture  painted  by  Gains¬ 
borough. 

PENNELL,  JOSEPH.  American. 

Born  1860  at  Philadelphia. 

Studied  in  the  Pennsylvania  Academy  of  Fine  Arts. 

209.  New  York  from  Brooklyn  Bridge.  Etching.  Signed  in  margin, 
J.  Pennell. 

TURNER,  EDWIN  A.  American.  (See  under  Painting.) 

210.  Anvers  Sur  Oise.  Etching.  Inscribed  in  margin,  “to  my  friend 
Mr.  Hackley."  Signed  in  margin,  E.  A.  Turner. 

211.  Haying  near  Fontainbleau.  Etching.  Inscribed  in  margin,  “to 
my  friend  Mr.  Hackley.  Signature,  E.  A.  Turner,  Paris  1892, 
etched  in  plate.  Signed  in  margin,  E.  A.  Turner. 

212.  Deep  Woods,  France.  Etching.  Signature,  E.  A.  Turner  1892, 
etched  in  plate.  Signed  in  margin,  E.  A.  Turner. 

213.  River  Bank.  Etching.  Signature,  E.  A.  Turner  1892,  etched  in 
plate.  Signed  in  margin,  E.  A.  Turner. 

210-213  gift  of  Mrs.  Kate  Lee  Nelles. 

WELLSTOOD,  W. 

214.  Steady  Johnny.  Engraving  after  the  painting  by  EroMne  Nicol, 
A.  R.  A.  Lettered  as  follows:  Painted  by  Erskine  Nicol,  A.  R.  A. 
Engraved  by  W.  Wellstood.  Gift  of  Mrs.  Frank  Wood. 


LITHOGRAPHS 

PENNELL,  JOSEPH.  American. 

Born  1860  at  Philadelphia. 

Pupil  of  the  Pennsylvania  Academy  of  Fine  Arts.  Etcher,  illus¬ 
trator,  lecturer  and  writer. 

Panama  Canal  Series.  All  are  signed  in  margin,  J.  P  nn.ll 

215.  Steam  Shovel  at  Work  in  the  Cut,  Culebra — Panama. 

216.  Steam  Shovel  in  the  Cut  at  Bas  Obispo — Panama. 

217.  The  French  Canal,  the  American  Crane,  Mount  Hope — Panama. 

218.  Building  Miraflores — Panama. 

219.  The  Cut  Toward  Ancon  Hill — Panama. 

220.  Colon,  The  American  Quarter — Panama. 

221.  Bottom  of  Gatun  Lock — Panama. 

222.  Cut  at  Las  Cascades — Panama. 

223.  The  Native  Village — Panama. 

224.  An  American  Village — Panama. 


53 


No.  48  The  Marble  Worker 


By  Glyn  W.  Philpot 


CLARK,  ALSON  SKINNER.  American. 

Born  1876  at  Chicago. 

Pupil  of  Simon,  Cottet,  Whistler,  Mucha  and  Merson  in  Paris, 
and  of  Wm.  M.  Chase  in  New  York. 

225.  Portal  of  St.  Germain,  Paris.  Monogram  in  red  and  signature 
Alson  Clark  in  margin. 

226.  Rue  St.  Jacque,  Paris.  Monogram  A.  C.  in  plate.  Monogram  in 
red  and  signature  Alson  S.  Clark  in  margin.  Gifts  of  the  artist. 

DRAWINGS 

SHIRLAW,  WALTER.  American.  (See  under  Painting.) 

227.  Figure.  Study  of  a  Girl.  (Pencil.) 

228.  The  Clearing.  (Pencil.) 

229.  Landscape  with  figures.  (Pencil.) 

230.  Garden  of  the  Pitti  Palace.  (Charcoal.) 

The  four  studies  gifts  of  Mrs.  Walter  Shirlaw. 

WILCOX,  ROSETTA  C. 

231.  Flower  Study  (pencil)  signed  Rosetta  C.  Wilcox  1870.  Gift  of 
Mrs.  R.  de  Groot. 


The  Gallery  has  also  unframed  etchings  by  W.  H.  W.  Bicknell, 
Rudolph  Bleyer,  Jules  Courtin,  W.  Wellstood,  and  engravings  by 
Thomas  Barber,  James  Carter,  Charles  Burt,  William  Floyd,  S.  Fisher, 
Alfred  Jones,  J.  H.  Kernot,  Le  Keux,  J.  J.  Pease,  James  Smillie,  E.  I. 
Roberts,  W.  Wallis  and  J.  T.  Willmore,  and  an  almost  complete  collec¬ 
tion  of  the  Medici  prints. 


55 


No.  50  On  the  Seashore 


By  Rene  Francois  Prinet 


-  A  At-  .  ' 


No.  53  Landscape  By  Theodore  Rousseau 


No.  51  The  Man  with  the  Hat 


By  Sir  Henry  Raeburn 


No.  63  Mountain  Landscape 


By  William  L.  Sonntag 


No.  62  Nocturne  in  Bruges 


By  Henri  Le  Sidaner 


'  i 

No.  66  Moonrise  at  Sunset 


By  Dwight  W.  Tryon 


No.  65  The  Holy  Family  By  Henry  0.  Tanner 


No.  68  Fragment  of  a  Painting —  By  Gerbrand  van  den  Eckhout 

Scriptural  Subject 


No.  72  Beach  at  Noordwijk  (Low  Tide)  By  J.  H.  Weissenbruch 


No.  73  The  Return  from  the  Promised  Land  By  Benjamin  West 


No.  74  Study  in  Rose  and  Brown  By  James  A.  McN.  Whistler 


No.  71  The  Road  Through  the  Common  By  Jose  Weiss 


No.  77  Landscape 


By  Richard  Wilson 


No.  78  Evening 


By  Alex.  H.  Wyant 


HOURS  OF  OPENING 

Daily,  9  A.  M.  to  5:00  P.  M. 

Sundays  and  holidays,  2:00  to  5:00  P.  M. 
Closed  all  day  July  4  and  December  25 


i 


1 


